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1 photographic work
Большой англо-русский и русско-английский словарь > photographic work
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2 photographic work
1) фотографирование; фотосъёмкаАнгло-русский словарь технических терминов > photographic work
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3 photographic work
Техника: фотографирование, фотопроизводство, фотосъёмка -
4 photographic work
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5 photographic work
• valokuvallinen esitys -
6 work
1) работа || работать2) действие; функционирование || действовать; функционировать3) обработка || обрабатывать4) заготовка; обрабатываемая деталь; обрабатываемое изделие5) мн. ч. завод; мастерские; фабрика6) мн. ч. инженерное сооружение; конструкция7) мн. ч. подвижные органы; действующие элементы (конструкции, механизма)10) изделие; продукция12) печать || печатать•to work out — 1. разрабатывать ( конструкцию) 2. улучшать ( характеристики) 3. вырабатывать ( решение);-
aerial work
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all-glass work
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appurtenant works
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art work
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assembly work
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batch work
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beach nourishment work
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black work
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block work
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boring work
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bright work
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broaching work
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brush work
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bundling work
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cabinet work
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carbonized work
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checker work
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chucking work
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cinematographic work
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classification work
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clerical work
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cold work
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color process work
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color work
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construction work
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contour-cutting work
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copying work
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creep feed work
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cutting area work
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desilting works
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development work
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diagrammatic work
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die work
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discharge works
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disposal works
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distributing works
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diversion works
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downhole wireline work
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drainage work
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dredging work
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dressing works
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drilling work
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erecting work
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fascine work
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finishing work
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first operation work
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fish conservation works
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flood protection works
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floor work
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foundry work
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friction work
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glass work
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grinding work
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Gunite work
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hardened work
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head works
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heavy-duty work
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high-pressure outlet works
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hot-cold work
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hydraulic works
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integrated iron-and-steel works
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irrigation works
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jib-stick work
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jobbing work
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joggle work
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lathe work
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line work
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live-line work
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machine work
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maintenance work
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maritime works
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mat work
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measurement-based work
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mechanical work
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milling work
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neat work
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nonexacting work
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nonintegrated steel works
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office work
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one-coat work
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outlet works
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out-of-tolerance work
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overhead line work
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overtime work
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pallet-mounted work
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paper work
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patch work
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photographic work
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pit work
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pneumatic work
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pointed work
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point-to-point work
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pottery work
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precision work
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printing works
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prototype work
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pump works
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R and D work
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radiochemical works
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random work
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range work
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reclamation work
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reconnaissance work
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recoverable strain work
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rectification works
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recuperated work
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retaining work
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river-training work
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road work
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robot development work
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rose work
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roughing work
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rough work
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rustic work
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sanitary works
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scratch work
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semi-integrated works
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sewage works
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sheet metal work
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shunting work
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starting work
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steel works
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sunk work
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surface work
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survey work
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tender work
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thicknessing work
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three-coat work
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tool room work
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tool work
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treatment works
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two-coat work
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two-up or four-up, six-up work
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unattended work
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wagon works
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wastewater treatment works
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wiring work
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work of deformation -
7 work
1.работа 2.исследования, наблюдения 3.труды@angular size workопределение угловых размеров светил@astronomical work1.астрономические наблюдения 2.астрономические труды@astronomical radar workастрономические радиолокационные исследования@differential workдифференциальные определения координат@fundamental workабсолютные наблюдения@galactic workисследования Галактики@geodetic workгеодезические работы@hydrogen line workисследование излучения водорода@Moon workнаблюдения Луны@observational workнаблюдательные работы@optical workоптические наблюдения@parallax workопределение параллаксов@photoelectric workфотоэлектрические наблюдения@photographic workфотографические наблюдения@photometric workфотометрические наблюдения@positional workпозиционные наблюдения@radar{ (echo) workрадиолокационные наблюдения@radio(astronomical) workрадиоастрономические наблюдения@solar workисследования Солнца@star catalogue workработа по составлению звездного каталога@stellar workисследования звезд, наблюдения звезд@visual workвизуальные наблюдения@21-cm{ (line) workисследования водорода на волне 21 см@ -
8 photographic
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9 speed of photographic material
English-Russian big polytechnic dictionary > speed of photographic material
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10 фотопроизводство
Большой англо-русский и русско-английский словарь > фотопроизводство
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11 valokuvallinen esitys
• photographic work -
12 фотопроизводство
Русско-английский политехнический словарь > фотопроизводство
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13 фотографування
photographic work, photographingy, photographing -
14 Petzval, Josef Max
SUBJECT AREA: Photography, film and optics[br]b. 1807 Spisska-Beila, Hungaryd. 17 September 1891 Vienna, Austria[br]Hungarian mathematician and photographic-lens designer, inventor of the first "rapid" portrait lens.[br]Although born in Hungary, Petzval was the son of German schoolteacher. He studied engineering at the University of Budapest and after graduation was appointed to the staff as a lecturer. In 1835 he became the University's Professor of Higher Mathematics. Within a year he was offered a similar position at the more prestigious University of Vienna, a chair he was to occupy until 1884.The earliest photographic cameras were fitted with lenses originally designed for other optical instruments. All were characterized by small apertures, and the long exposures required by the early process were in part due to the "slow" lenses. As early as 1839, Petzval began calculations with the idea of producing a fast achromatic objective for photographic work. For technical advice he turned to the Viennese optician Peter Voigtländer, who went on to make the first Petzval portrait lens in 1840. It had a short focal length but an extremely large aperture for the day, enabling exposure times to be reduced to at least one tenth of that required with other contemporary lenses. The Petzval portrait lens was to become the basic design for years to come and was probably the single most important development in making portrait photography possible; by capturing public imagination, portrait photography was to drive photographic innovation during the early years.Petzval later fell out with Voigtländer and severed his connection with the company in 1845. When Petzval was encouraged to design a landscape lens in the 1850s, the work was entrusted to another Viennese optician, Dietzler. Using some early calculations by Petzval, Voigtländer was able to produce a similar lens, which he marketed in competition, and an acrimonious dispute ensued. Petzval, embittered by the quarrel and depressed by a burglary which destroyed years of records of his optical work, abandoned optics completely in 1862 and devoted himself to acoustics. He retired from his professorship on his seventieth birthday, respected by his colleagues but unloved, and lived the life of a recluse until his death.[br]Principal Honours and DistinctionsMember of the Hungarian Academy of Science 1873.Further ReadingJ.M.Eder, 1945, History of Photography, trans. E. Epstean, New York (provides details of Petzval's life and work; Eder claims he was introduced to Petzval by mutual friends and succeeded in obtaining personal data).Rudolf Kingslake, 1989, A History of the Photographic Lens, Boston (brief biographical details).L.W.Sipley, 1965, Photography's Great Inventors, Philadelphia (brief biographical details).JW -
15 Muybridge, Eadweard
SUBJECT AREA: Photography, film and optics[br]b. 9 April 1830 Kingston upon Thames, Englandd. 8 May 1904 Kingston upon Thames, England[br]English photographer and pioneer of sequence photography of movement.[br]He was born Edward Muggeridge, but later changed his name, taking the Saxon spelling of his first name and altering his surname, first to Muygridge and then to Muybridge. He emigrated to America in 1851, working in New York in bookbinding and selling as a commission agent for the London Printing and Publishing Company. Through contact with a New York daguerreotypist, Silas T.Selleck, he acquired an interest in photography that developed after his move to California in 1855. On a visit to England in 1860 he learned the wet-collodion process from a friend, Arthur Brown, and acquired the best photographic equipment available in London before returning to America. In 1867, under his trade pseudonym "Helios", he set out to record the scenery of the Far West with his mobile dark-room, christened "The Flying Studio".His reputation as a photographer of the first rank spread, and he was commissioned to record the survey visit of Major-General Henry W.Halleck to Alaska and also to record the territory through which the Central Pacific Railroad was being constructed. Perhaps because of this latter project, he was approached by the President of the Central Pacific, Leland Stanford, to attempt to photograph a horse trotting at speed. There was a long-standing controversy among racing men as to whether a trotting horse had all four hooves off the ground at any point; Stanford felt that it did, and hoped than an "instantaneous" photograph would settle the matter once and for all. In May 1872 Muybridge photographed the horse "Occident", but without any great success because the current wet-collodion process normally required many seconds, even in a good light, for a good result. In April 1873 he managed to produce some better negatives, in which a recognizable silhouette of the horse showed all four feet above the ground at the same time.Soon after, Muybridge left his young wife, Flora, in San Francisco to go with the army sent to put down the revolt of the Modoc Indians. While he was busy photographing the scenery and the combatants, his wife had an affair with a Major Harry Larkyns. On his return, finding his wife pregnant, he had several confrontations with Larkyns, which culminated in his shooting him dead. At his trial for murder, in February 1875, Muybridge was acquitted by the jury on the grounds of justifiable homicide; he left soon after on a long trip to South America.He again took up his photographic work when he returned to North America and Stanford asked him to take up the action-photography project once more. Using a new shutter design he had developed while on his trip south, and which would operate in as little as 1/1,000 of a second, he obtained more detailed pictures of "Occident" in July 1877. He then devised a new scheme, which Stanford sponsored at his farm at Palo Alto. A 50 ft (15 m) long shed was constructed, containing twelve cameras side by side, and a white background marked off with vertical, numbered lines was set up. Each camera was fitted with Muybridge's highspeed shutter, which was released by an electromagnetic catch. Thin threads stretched across the track were broken by the horse as it moved along, closing spring electrical contacts which released each shutter in turn. Thus, in about half a second, twelve photographs were obtained that showed all the phases of the movement.Although the pictures were still little more than silhouettes, they were very sharp, and sequences published in scientific and photographic journals throughout the world excited considerable attention. By replacing the threads with an electrical commutator device, which allowed the release of the shutters at precise intervals, Muybridge was able to take series of actions by other animals and humans. From 1880 he lectured in America and Europe, projecting his results in motion on the screen with his Zoopraxiscope projector. In August 1883 he received a grant of $40,000 from the University of Pennsylvania to carry on his work there. Using the vastly improved gelatine dry-plate process and new, improved multiple-camera apparatus, during 1884 and 1885 he produced over 100,000 photographs, of which 20,000 were reproduced in Animal Locomotion in 1887. The subjects were animals of all kinds, and human figures, mostly nude, in a wide range of activities. The quality of the photographs was extremely good, and the publication attracted considerable attention and praise.Muybridge returned to England in 1894; his last publications were Animals in Motion (1899) and The Human Figure in Motion (1901). His influence on the world of art was enormous, over-turning the conventional representations of action hitherto used by artists. His work in pioneering the use of sequence photography led to the science of chronophotography developed by Marey and others, and stimulated many inventors, notably Thomas Edison to work which led to the introduction of cinematography in the 1890s.[br]Bibliography1887, Animal Locomotion, Philadelphia.1893, Descriptive Zoopraxography, Pennsylvania. 1899, Animals in Motion, London.1901, The Human Figure in Motion, London.Further Reading1973, Eadweard Muybridge: The Stanford Years, Stanford.G.Hendricks, 1975, Muybridge: The Father of the Motion Picture, New York. R.Haas, 1976, Muybridge: Man in Motion, California.B.Coe, 1992, Muybridge and the Chromophoto-graphers, London.BC -
16 фотосъёмка
1) Geology: photo survey (местности), photosurveying2) Engineering: exposure, photo shoot, photographic work, photographing, photography, photoshoot, still photography3) Polygraphy: camera work, shooting4) Cartography: photographic project5) Ecology: photographic survey6) Makarov: photographic surveying7) Cellular communications: framerecording -
17 Ross, Andrew
SUBJECT AREA: Photography, film and optics[br]b. 1798 London, England d. 1859[br]English optical-instrument maker, founder of a photographic-lens making dynasty.[br]Apprenticed to the optical-instrument maker Gilbert at the age of 14, Ross rose to become Manager of the factory before leaving to found his own business in 1830. He soon earned a reputation for fine craftsmanship and was the first optician in England to produce achromatic microscope objectives. He had an early involvement with photography, perhaps before the public announcements in 1839, for he supplied lenses and instruments to Talbot. On hearing of Petzval's portrait lens, he made a highaperture portrait lens to his own design for the first professional calotypist, Henry Collan. It was unsuccessful, however, and Ross did little more photographic work of note, although his son Thomas and his son-in-law and one-time apprentice, John Henry Dallmeyer, made significant contributions to English photographic optics. Both Thomas and Dallmeyer were left large sums of money on Andrew's death, and independently they established successful businesses; they were to become the two most important suppliers of photographic lenses in England.[br]Further ReadingRudolf Kingslake, 1989, A History of the Photographic Lens, Boston (a brief biography of Ross).J.M.Eder, 1945, History of Photography, trans. E.Epstean, New York.H.J.P.Arnold, 1977, William Henry Fox Talbot, London.JW -
18 Archer, Frederick Scott
SUBJECT AREA: Photography, film and optics[br]b. 1813 Bishops Stortford, Hertfordshire, Englandd. May 1857 London, England[br]English photographer, inventor of the wet-collodion process, the dominant photographic process between 1851 and c.1880.[br]Apprenticed to a silversmith in London, Archer's interest in coin design and sculpture led to his taking up photography in 1847. Archer began experiments to improve Talbot's calotype process and by 1848 he was investigating the properties of a newly discovered material, collodion, a solution of gun-cotton in ether. In 1851 Archer published details of a process using collodion on glass plates as a carrier for silver salts. The process combined the virtues of both the calotype and the daguerreotype processes, then widely practised, and soon displaced them from favour. Collodion plates were only sensitive when moist and it was therefore essential to use them immediately after they had been prepared. Popularly known as "wet plate" photography, it became the dominant photographic process for thirty years.Archer introduced other minor photographic innovations and in 1855 patented a collodion stripping film. He had not patented the wet-plate process, however, and made no financial gain from his photographic work. He died in poverty in 1857, a matter of some embarrassment to his contemporaries. A subscription fund was raised, to which the Government was subsequently persuaded to add an annual pension.[br]Bibliography1851, Chemist (March) (announced Archer's process).Further ReadingJ.Werge, 1890, The Evolution of Photography.H.Gernsheim and A.Gernsheim, 1969, The History of "Photography", rev. edn, London.JWBiographical history of technology > Archer, Frederick Scott
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19 фотографирование
1) General subject: photography2) Engineering: photoengraving, photographic work, photographing, still photography3) Metallurgy: photographic recording4) Polygraphy: shooting5) Cartography: copying, photographic process6) Mass media: photoing -
20 фотосъёмка
exposure, photographing, still photography, photography, photographic work* * *фотосъё́мка ж.
photography, photographing (см. тж. фотографирование)документа́льная фотосъё́мка — documentary photography, photographic documentationиссле́довательская фотосъё́мка — research photographyкомбини́рованная фотосъё́мка — composite photographyмомента́льная фотосъё́мка — instantaneous photographyрегистрацио́нная фотосъё́мка — photoinstrumentationстереоскопи́ческая фотосъё́мка — stereoscopic photographyцветна́я фотосъё́мка — colour photographyцейтра́ферная фотосъё́мка — time-lapse photographyчё́рно-бе́лая фотосъё́мка — black-and-white photography
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work — {{Roman}}I.{{/Roman}} noun 1 effort/product of effort ADJECTIVE ▪ hard ▪ It s hard work trying to get him to do a few things for himself. ▪ It doesn t require skill it s a matter of sheer hard work. ▪ arduous, back breakin … Collocations dictionary
